Saturday, October 20, 2007

Dub, Edits, and Whiskey-Coke

Chab is a musician from Switzerland. His album, Dub, Edits and Whisky-Coke, is a recurring favorite of mine. Most of the tracks harbor some hidden bitterness or sadness that is so cold it's beautiful to hear. Next time you're feeling just a little bit alone, listen to "Sunrise." You'll shiver and look around yourself. If you want to know what I listened to as I was writing "Subject B," have a listen.

Dub, Edits and Whisky-Coke cover

I've begun a new story that will be part of a trilogy. The focus this time is not only a superb plot, but more character development than my writing of the past two years has attempted. It's a spin-off of Equinox, but beyond happy coincidence on the part of the characters, nothing is shared between Equinox and this trilogy. I have a very positive feeling about this project; it's the beginning of a steep ascent.

Speaking of Equinox, those of you who haven't read it and would like to: let me know. I'm not going to put it on this site unless it is rejected from the magazine to which I'm sending it. I do not want to get into legal trouble for providing a free online version of something that another party would own. In any case, I can certainly send it to individuals, so e-mail me if you want it.

I received Oblivion With Bells a few days ago. It is an album of singular beauty. There are parts that grate on me a little, but the more I listen, the more I like everything. This record is a masterpiece. Every time I start listening to it, I say to myself, "this is the last time." But once it's over, I put it on again. Underworld is to music what I want to be to writing: an entity of pure artistic freedom. I'm glad that they now have complete control over their music (the Oblivion cover proudly displays that the music inside is (c) Karl Hyde and Rick Smith, trading as Underworld. Can you imagine what that's like?

I think it's also about time to do another batch of Sketch Wars. Perhaps if readers tune in tonight, they will see a new sketch.

No comments: